An advanced screening of “The Lighthouse,” a film directed by Robert Eggers, uneased and astonished audiences at the Brattle Theater Oct. 17. The event, hosted in collaboration with A24, marked the beginning of the new “The Film And…” Festival, hosted by Independent Film Festival of Boston.
Starting this fall, the University will partner with film production company A24 — known for works such as “Spring Breakers,” “Ex Machina,” “Lady Bird,” “Moonlight” and “Euphoria” — to bring screenings and events to campus.
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As Hollywood embraces social change through movements like Time’s Up, those same shifting tides will bring young, diverse and empowering stars to the University’s campus as part of the annual Ivy Film Festival Apr. 8-14.
Last Sunday, the Granoff Center for the Creative Arts hosted a screening of “The Rest I Make Up,” a documentary chronicling the life of the late Maria Irene Fornes, a Cuban-American avant-garde playwright, and her struggle with Alzheimer’s disease.
The nerve-wracking film chronicles the journey of Alex Honnold, a famous U.S. rock climber, as he prepares to “free solo” El Capitan.
From the very beginning of Craig Macneill’s film “Lizzie,” viewers are right behind the fierce female protagonist, played by Chloë Sevigny.
After 42 years of featuring films in a uniquely intimate setting, Cable Car Cinema and Cafe shut the doors of its 204 South Main St. location May 27, the owners announced in a Facebook post April 26. The closure comes at the tail end of negotiations with the Rhode Island School of Design.
“The New Barbarianism” opens with panning shots of shelled rubble, all that remains of the once-thriving city of Aleppo, Syria.
In the first scene of “A Quiet Place,” the new film from actor and director John Krasinski ’01, a family tiptoes around an abandoned general store to gather a few necessities.
Throughout last Wednesday night’s multimedia performance at the Rhode Island School of Design Auditorium entitled “Qyrq Qyz,” the composition of the stage shifted: The only set piece, a black mountain of fabric, was deconstructed and the performers rearranged positions and formations to the beat of the music.
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