The Brown Arts Initiative introduced the David Dornstein ’85 Artist Grant on Jan. 4. The new grant will award a total of $50,000 annually to at least one graduating senior and graduating graduate student, with each being eligible to receive up to $25,000.

Fast-forwarding seven decades from the World War I setting of 2017’s Wonder Woman, the highly anticipated sequel is set in the brightly colored ‘80s, an era of bulky TVs, aerobic wear and parachute pants.

Actors Jessica Rothe and Harry Shum Jr. reflected on the importance of living in the moment after starring in the new film, “All My Life,” at a virtual roundtable Thursday afternoon. 

With College Hill’s foliage saturated in crimson hues and Uniqlo HEATTECH fabric materializing on the student body, temperatures dip below the 50s and midterm exams vigilantly march on by. 

To synthesize the luxury fashion industry feels a fruitless task, for it is in many ways a field emphatically characterized by the four changing seasons.

When an 18-year-old Kirsten Johnson ’87 arrived at Brown in the fall of 1983, she had never even picked up a film camera, let alone imagined a future where she would travel the world for her career as a filmmaker.

This weekend, the Ivy Film Festival held a “Weekend of Career Chats”: a series of webinar workshops and conversations on entry points and opportunities in the film and television industry.

Film journalists and movie buffs alike buzzed with anticipation when news arrived announcing that Robert Zemeckis, director of “Back to the Future” and “Who Framed Roger Rabbit,” was slated to adapt the 1983 classic story, Roald Dahl’s “The Witches.” 

Python. Rum-soaked ham. The ratatouille from Ratatouille. Prison sauce. Bison. “Pizza Crepe Taco Pancake Chili Bag.” Dessert pasta. Julia Child’s beef bourguignon. Acorn cookies. Broiled Cornish game hen sandwich. And, of course, sourdough.

Brightly lit bakeries, mouth-watering mooncakes and felicitous festivities mark the beginning of Netflix’s latest animated feature, “Over the Moon.”