A bright array of bold, vibrant looks designed and modeled by Brown and Rhode Island School of Design students captivated audience members in the Granoff Center for the Creative Arts Thursday at Fashion@Brown’s 10th annual runway show.
“At the center of this glass bottle is rose quartz — the crystal of compassion, tenderness, and comfort,” describes an $80 water bottle on Santa Monica-based lifestyle brand goop’s web store.
Two hundred and ten hours. That is how long it took Jake Ruggiero ’22 and Rémy Poisson ’22, both dual degree students and illustrators for The Herald’s post- magazine, to complete their Collaborative Study Project, titled “This is Your Life.”
Dancers moved with grace and fluidity in Fusion Dance Company’s 37th Annual Spring Show this past weekend, offering an emphatic and stylistically diverse performance.
Julia Jarcho, a playwright and director, began her first term this semester as the Head of Playwriting for the Master of Fine Arts Playwriting program. Jarcho will help Brown playwriting students to develop skills for theatre performance.
On Feb. 21, the South-Korean boy band BTS (Beyond the Scene) released their seventh studio album “Map of the Soul: 7.” The album is made up of 20 tracks, five of which come from their previous album “Map of the Soul: Persona.”
On Feb. 20, Anne Dunlop, Herald Chair of Fine Arts at the University of Melbourne, started her lecture with a zoomed-in shot of the “Annunciation with St. Margaret and St. Ansanus,” a wooden altarpiece adorned with gold that depicts Archangel Gabriel kneeling in front of the Virgin Mary with an olive branch in hand.
What is it like to be a working artist? What does it take? What is their creative process? These are some of the questions that the Brown Arts Initiative aims to answer for students through the professor of the practice program, an initiative that has brought professional artists to campus since 2016.
On Feb. 12 — just two days before Valentine’s Day — Netflix released “To All the Boys: P.S. I Still Love You,” the sequel to the sensational 2018 rom-com “To All the Boys I’ve Loved Before.”
Okay Kaya’s second studio-length album is a cathartic recollection and release of intimate memory. “Watch This Liquid Pour Itself,” released Jan. 24, pushes Kaya’s genre-bending sound further than past experiments; here, she oscillates between moments of wistful, folkish R&B and bullish disco.
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