With College Hill’s foliage saturated in crimson hues and Uniqlo HEATTECH fabric materializing on the student body, temperatures dip below the 50s and midterm exams vigilantly march on by. 

To synthesize the luxury fashion industry feels a fruitless task, for it is in many ways a field emphatically characterized by the four changing seasons.

When an 18-year-old Kirsten Johnson ’87 arrived at Brown in the fall of 1983, she had never even picked up a film camera, let alone imagined a future where she would travel the world for her career as a filmmaker.

This weekend, the Ivy Film Festival held a “Weekend of Career Chats”: a series of webinar workshops and conversations on entry points and opportunities in the film and television industry.

Film journalists and movie buffs alike buzzed with anticipation when news arrived announcing that Robert Zemeckis, director of “Back to the Future” and “Who Framed Roger Rabbit,” was slated to adapt the 1983 classic story, Roald Dahl’s “The Witches.” 

Python. Rum-soaked ham. The ratatouille from Ratatouille. Prison sauce. Bison. “Pizza Crepe Taco Pancake Chili Bag.” Dessert pasta. Julia Child’s beef bourguignon. Acorn cookies. Broiled Cornish game hen sandwich. And, of course, sourdough.

Brightly lit bakeries, mouth-watering mooncakes and felicitous festivities mark the beginning of Netflix’s latest animated feature, “Over the Moon.”

A shattered mirror of sounds materializes in experimental composer and musician Oneohtrix Point Never’s ninth studio-length album, “Magic Oneohtrix Point Never.”

Non-profit organization Film Fatale and Leah Meyerhoff  ’01 of the Brown University Entertainment Group, an alumn Facebook group, co-hosted a webinar Friday evening entitled “Documenting Politics.”

Launched in 2016, the Brown Arts Initiative, or BAI, represents a wide array of performing, literary and visual arts at Brown. Its diverse range of student grant programs has supported students on projects that involve the production, study and critique of the creative arts.