Oneohtrix Point Never muses in “Magic OPN”
A shattered mirror of sounds materializes in experimental composer and musician Oneohtrix Point Never’s ninth studio-length album, “Magic Oneohtrix Point Never.”
A shattered mirror of sounds materializes in experimental composer and musician Oneohtrix Point Never’s ninth studio-length album, “Magic Oneohtrix Point Never.”
Non-profit organization Film Fatale and Leah Meyerhoff ’01 of the Brown University Entertainment Group, an alumn Facebook group, co-hosted a webinar Friday evening entitled “Documenting Politics.”
Launched in 2016, the Brown Arts Initiative, or BAI, represents a wide array of performing, literary and visual arts at Brown. Its diverse range of student grant programs has supported students on projects that involve the production, study and critique of the creative arts.
On Oct. 30, renowned singer-songwriter Ariana Grande released her sixth studio album “positions.” Her usual fast-paced rhythms have been swapped out for steadier beats and more explicit lyrics, but the album falls short of wowing fans with truly smashing hits.
University Organist Mark Steinbach, dressed as Dracula, virtually emerged from his coffin in a live-streamed rendition of the annual Halloween Midnight Organ Recital Saturday night. Over 300 people enjoyed the recital — which commenced at midnight — from the comfort of their own electronic devices.
For those who have three backup plans to vote, for those who phonebank every weekend and for those who are tracking Iowan statehouse races, political disengagement is a luxury in which they can’t indulge.
Providence might just be the locus of hocus pocus; the spooky city boasts bounteous emblems of the ghastly and supernatural. These have served as the inspiration for many storytellers — from H.P. Lovecraft to Providence Ghost Tours.
Though director Ben Wheatley claims to offer a new interpretation of a well-loved classic, his version of “Rebecca” pales in comparison not only to the story’s 1938 source material but also to the famous Alfred Hitchcock film adaptation from 1940.
Rites and Reasons Theatre launched the second iteration of “Songs of a Cage Bird,” the theatre’s first ever digital production written by Christopher Lindsay GS Oct. 22.
To capture the diverse Brown experience of current undergraduates, we asked our photographers to photograph and share the familiar sights around them. Among them is a first-year who found purpose exploring northern New Jersey and a junior who is studying remotely at her grandmother’s farm.