As the fourth installment in Warner Bros. and Legendary Entertainment’s MonsterVerse franchise — a shared cinematic universe which began with the 2014 “Godzilla” — “Godzilla vs. Kong” is an incredibly fun watch.

In Part One of the film “Cherry,” adapted from Nico Walker’s semi-autobiographical 2018 novel of the same title, Tom Holland plays the titular character in a college setting.

Since 2013’s “Frozen,” Disney has demonstrated a conscious attempt at steering toward material with greater socio-political significance, shedding the archetypal characters of Western medieval romances and diversifying their stories.

Written and directed by Chloé Zhao, “Nomadland” is a simultaneously intimate and effusive meditation on the stratum of unsettled Americans. These nomads are often flippantly deemed the outcome of some sort of failure, be it economic dissolution or domestic upheaval.

Film journalists and movie buffs alike buzzed with anticipation when news arrived announcing that Robert Zemeckis, director of “Back to the Future” and “Who Framed Roger Rabbit,” was slated to adapt the 1983 classic story, Roald Dahl’s “The Witches.” 

Though director Ben Wheatley claims to offer a new interpretation of a well-loved classic, his version of “Rebecca” pales in comparison not only to the story’s 1938 source material but also to the famous Alfred Hitchcock film adaptation from 1940.

The Ivy Film Festival welcomed renowned writer and director Aaron Sorkin and acclaimed actor Jeremy Strong for a conversation on their latest film “The Trial of the Chicago 7” on the evening of Oct. 21.

In Disney’s 2020 attempt to resuscitate the 1998 animated film, much of the nostalgic charm of the original “Mulan” is deadened for the sake of aesthetic value and purported maturation — not to mention political controversy beyond the screen. 

“Boys State,” directed by filmmakers Jesse Moss and Amanda McBaine, swept 2020 festival circuits and won the U.S. Documentary Competition Grand Jury Prize at the Sundance Film Festival.

Writer-director Carlo Mirabella-Davis’ directorial debut, the psychological-thriller “Swallow,” reveals the horrors of a woman’s alienation from her marriage, struggles with mental illness and battles with an eating disorder.