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The women’s volleyball team was swept 3-0 by Princeton in the Ivy League Tournament semifinals on Friday night for the second year in a row. Despite the loss, the team delivered a strong season. Courtesy ...
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The women’s volleyball team was swept 3-0 by Princeton in the Ivy League Tournament semifinals on Friday night for the second year in a row. Despite the loss, the team delivered a strong season. Courtesy ...
Director Joachim Trier’s "Sentimental Value" marks the third film collaboration between Trier and actress Renate Reinsve. Courtesy of NEON.
Andre Lee Bassuet's cyanotype and embroidered garment titled "Women in the Field." The piece is a floor-length cape made of pages from Marcia Myers Bonta’s book of the same name.
Iris Wright's wearable sculpture titled "Book Body No.7: Palimpsest." It is composed of handmade paper from a deaccessioned book, watercolor, sumi ink and thread.
Courtesy of Benh Lieu Song via Wikimedia Commons
The Herald polls around 1,000 undergraduates on various topics each semester. Throughout the past 30 years, Brunonians have seen immense change on campus.
Rhode Island has the largest percentage of Catholics in the nation. The Roman Catholic Diocese of Providence on Sunday.
“There’s a lot to build on for next year,” quarterback James Murphy ’27 said. “But for right now, we’re just going to cherish what we have and celebrate the win.”
As the Big Green’s offense took the field with plans to respond, the Bears’ defense bared their teeth.
The Senior Day win marked an apt end to a roller-coaster 2025 campaign, in which Brown faced some of their highest highs and lowest lows en route to finishing the season with a .500 record.
Bruno cornerback Cap Davis ’27 –– standing only 5-feet 10-inches –– wrestled the jump ball away from Dartmouth tight end Chris Corbo for an astounding game-sealing interception.
Though the game ended in triumph, it began with a tremor. On just the second play from scrimmage, quarterback James Murphy ’27 gave away the first turnover of the game.
The film’s ability to represent Iraqi life without framing it solely through weakness or victimhood is the very core of what gives it power and meaning.