For the first time since Brown’s annual music festival was born in 1950, Brown Concert Agency’s highly anticipated Spring Weekend was canceled completely in response to the COVID-19 pandemic, leaving students wondering what their experience might have been. 

By constructing a scaled Minecraft replica of the University, Brown Esports and Geopipe — an alum-founded virtual modeling company — have kickstarted a novel way to experience College Hill during the COVID-19 pandemic.

When DJ Nash ’95 lost a friend to suicide a few years ago, he reflected on John F. Kennedy Jr.’s ’83 tragic death in his journal while on the way to the funeral.

This article describes a piece published in the Feb. 26, 1987 Brown Daily Herald. On this day in history in 1987, Stacy Bereck Chernosky ’90 P’23 covered the Robert Wood Johnson Foundation’s $95,000 grant for the University to study community-based AIDS care.

“At the center of this glass bottle is rose quartz — the crystal of compassion, tenderness, and comfort,” describes an $80 water bottle on Santa Monica-based lifestyle brand goop’s web store. 

Dancers moved with grace and fluidity in Fusion Dance Company’s 37th Annual Spring Show this past weekend, offering an emphatic and stylistically diverse performance.

This article describes a piece published in the Feb. 20, 1977 Brown Daily Herald. On this day in history in 1977, Magee Hickey ’77 wrote “The Final Curtain At Trinity?” — an article covering the potential closing of Trinity Square Repertory Company, a theater organization known today as Trinity Repertory Company.

Okay Kaya’s second studio-length album is a cathartic recollection and release of intimate memory. “Watch This Liquid Pour Itself,” released Jan. 24, pushes Kaya’s genre-bending sound further than past experiments; here, she oscillates between moments of wistful, folkish R&B and bullish disco.

Overcast light filtered into the Rhode Island School of Design Museum’s Grand Gallery on Saturday afternoon to illuminate an interdisciplinary and contemplative performance by the Muse Initiative.

From Lego figurines to silver spoons of varying sizes, “tiny,” open until April 13, showcases works that reveal the emotional, cultural and historical capacities of smallness.