To synthesize the luxury fashion industry feels a fruitless task, for it is in many ways a field emphatically characterized by the four changing seasons.

A shattered mirror of sounds materializes in experimental composer and musician Oneohtrix Point Never’s ninth studio-length album, “Magic Oneohtrix Point Never.”

On this Election Day, undergraduate students across the country exercised their right to vote. Despite the challenges of a pandemic, in-person voting remained a priority for many Brown students.

Providence might just be the locus of hocus pocus; the spooky city boasts bounteous emblems of the ghastly and supernatural. These have served as the inspiration for many storytellers — from H.P. Lovecraft to Providence Ghost Tours.

French confections, frilly outfits from 2016 Pinterest boards and a naïve millennial American are the centerpiece of the new bingeable Netflix series “Emily in Paris.”

As many students sat down in their childhood bedrooms in early March, confronted with remote classes or omnipresent families, they began to give in and download TikTok — the short-form video content platform first created in September of 2016 under the original moniker of Musical.ly.

In Disney’s 2020 attempt to resuscitate the 1998 animated film, much of the nostalgic charm of the original “Mulan” is deadened for the sake of aesthetic value and purported maturation — not to mention political controversy beyond the screen. 

Perhaps the isolationist existence provokes some sort of artistic intuition. Many famed artists have produced their most iconic works during periods of self-isolation: Virginia Woolf during depressive dazes, Edvard Munch after contracting the Spanish Flu, John Adams during a self-induced Californian cabin fever.

Urs Fischer’s 2006 sculpture, “Untitled (Lamp/Bear),” one of campus’ most divisive and lurid examples of public art, is preparing to make its exit from Ruth J. Simmons Quadrangle “over the coming weeks” after more than four years since its June 2016 arrival.  

For the first time since Brown’s annual music festival was born in 1950, Brown Concert Agency’s highly anticipated Spring Weekend was canceled completely in response to the COVID-19 pandemic, leaving students wondering what their experience might have been.