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Smith walks a fine line between traditional, elevated prose and a loss of personhood. Though her characters are historical figures, they fail to feel real.
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By Kaiolena Tacazon | December 5Top row, from left to right: Hadley Carr ’27, Max Robinson ’26.5, Claire Song ’27 and Elise Haulund ’27. Bottom row, from left to right: Paul Hudes ’27, Cate Latimer ’27 and Ciara Meyer ’27.
