On Tuesday evening, Wriston Quadrangle rung with more than just the sounds of fraternity brothers playing cornhole and returning students picnicking over Sharpe Refectory take-out. Riffs drifted out from a makeshift stage as Off-White, a student rock band, played for the crowd attending the campus welcome ...
“Violet,” directed by Skylar Fox ’15 and running in the Production Workshop Downspace this Friday through Monday, deals with problems of appearance, and avoiding the cliche, it does not discredit the power of the superficial. The musical follows the titular character’s quest to heal a disfiguring ...
Beyond the two-by-fours of a derelict construction site, a cityscape looms stoically in the distance. Obscured geometric patterns evoke the protective stance of a mother crouching over a cradle. A rough, asphalt-like exterior is chiseled away to expose a smooth, blue underbelly. Such images of instability ...
In the very first scene of “El Grito del Bronx,” light illuminates the center of the stage as Lulu, wearing a white wedding dress, glides toward center stage, approaching a frame. She contemplates this simulation of a mirror and gazes through it as an unknown man, eventually revealed to be her ...
In 1993, Ralph Fiennes harrowed audiences as Nazi war criminal Amon Goeth, calmly sniping concentration camp workers from his balcony for nothing more than pre-breakfast entertainment. Twenty-one years later, the “Schindler’s List” actor stars in “The Grand Budapest Hotel,” a film currently ...
Opera often connotes the stuffy Victorian era, the dismal Baroque era or the strict Italian aristocracy. Rarely is it a lens through which to explore meditation, sexual desire and anarchy. But in “Hydrogen Jukebox,” directed by Jonathan Adam ’16 and produced by Brown Opera Productions, this traditional ...
In 2002, Bryonn Bain was pulled over for an extinct left taillight. He was arrested for three outstanding warrants — charges he denied — and spent three days and two nights in jail before he was released without being convicted. In the end, the wrongful charges were a case of identity theft. Out ...
Like many films, “Her” spends most of its time espousing views on human existence. But to its credit, Spike Jonze’s new film is to the Encyclopedia Britannica what the average movie is to a pamphlet. In fact, it rewrites the Encyclopedia Britannica. Set in a glimmering near-future Los Angeles, ...
From the lofty parapet of Mount Olympus to the tortured currents of the River Styx, the gods have no fury like a woman scorned. None, at least, like the woman in “Medea,” directed by Celeste Cahn ’15 and opening tonight in the PW Downspace. The play was translated and freely adapted by Robinson ...
With strength and poise, the imPulse Dance Company takes the stage this week for their annual show in Alumnae Hall. Best known for work with hip-hop, the company incorporates elements of contemporary, jazz funk, salsa, dance hall and voguing into a dynamic evening of movement, music and gesture. The ...
“Passing Strange” is aptly named. It’s bizarre and brazen, self-mocking and self-vindicating, loud and caustic. And if you don’t go to see it, you’re just part of the establishment, man. The punk rock musical, directed by Kym Moore, assistant professor of theater arts and performance studies, ...
In List Art Center hangs something of a college reunion — Dawn Clements ’86, Paul Ramirez Jonas ’87 and Kerry Tribe ’97 were all invited back to their alma mater by the Department of Visual Arts in anticipation of the University’s 250th anniversary celebration. The unfortunate aspect of the ...
It’s easy to miss Flatbread Company — tucked away at the butt end of a large parking lot behind CVS — but the space is surprisingly roomy. The decor can best be described as a rustic, vegan-friendly ski lodge, with large windows overlooking the monochromatic landscape of the parking lot. It’s ...
When Esther Mills, a 35-year-old black woman living in New York City at the turn of the 20th century, admits to a client from Fifth Avenue, “I’ve only been to the theater once,” the audience members are made all too aware of their own privileged position. Viewers’ suit buttons and diamond necklaces ...
Making a good movie about slavery is no easy task. Achieving historical accuracy demands a disturbing portrayal of brutality and injustice. Contemporary audiences seek entertainment and inspiration. “12 Years a Slave” skillfully walks this line, combining a stirring personal narrative with realistic ...
"We should all just put a sign on ourselves, tell the world what’s wrong with us.” After a summer of alien invasions and bromances everyone saw coming, the previews and press coverage of “Enough Said” tantalized audiences with the idea of an intricate adult drama devoid of the inevitability ...
Alas, the weekend of revelry comes to a close. The Main Green lies worn and muddied from the foot stomping of thousands of Brunonians. The stage is dismantled and the Ratty un-Fratty’d. As students wander wearily back to the libraries, the time has come to reflect on a Spring Weekend lineup that ...
With all the hype that surrounds a show like “Equus” by Peter Shaffer, it takes great execution for a production to live up to expectations. Premiering Saturday night in the Downspace, Production Workshop’s newest show manages to do so, thanks to a talented ensemble cast directed by the skilled ...
Solutions by The State News
