“Until, Until, Until…” a performance directed, written and produced by Los Angeles-based artist Edgar Arceneaux was staged in Studio 1 at the Granoff Center for the Creative Arts on Thursday, Friday and Saturday nights last week. Presented by the Brown Arts Initiative, the multimedia play reimagines ...
Mitski’s latest album “Be the Cowboy” distills complex emotions; in her clear voice, the artist captures love and loneliness. The singer-songwriter performed at House of Blues Boston on Oct. 20 as part of her U.S. tour. The album opens with a burst of emotion. “Geyser” builds itself up, culminating ...
Thursday evening, a bustling audience gathered in the Granoff Center for Creative Arts to see Everett Company’s “Good Grief” — a multimedia performance centered around trauma’s grip on both mind and body. The audience faced a stage cast in a cool, blue light, growing silent as members of ...
There is not a single memorable line in all of “Eighth Grade,” Bo Burnham’s divinely excruciating feature film debut, which screened at the Ivy Film Festival Sunday night. But that is part of its magic. “Eighth Grade” is a film with a keen sense of the way people communicate. No one speaks ...
In the first scene of “A Quiet Place,” the new film from actor and director John Krasinski ’01, a family tiptoes around an abandoned general store to gather a few necessities. We hear the soft taps of their bare feet on the linoleum and the slight rattle of pills in a bottle as the mother carefully ...
Skeptics who have yet to listen to the music of indie-rock princess “Soccer Mommy,” the alias of 20-year-old New York University dropout Sophie Allison, might scoff when told the tracks of the facetiously named artist are landing on the “chill” playlists of culturally astute stoner teens everywhere. ...
Thomas Cole’s “The Course of Empire” is a series of five paintings from the 1830s that depicts the rise, peak and eventual destruction of civilization. There is an anxiety underneath the art — a fear of the negative consequences of empire’s excess coupled with a nostalgic longing for a pastoral ...
To the Editor: In a letter to the editor published by The Herald yesterday, Provost Richard Locke P ’18 states that “the University decided to suspend acceptances of new applicants to the elementary education track for the current cycle. This pause will enable us to fully evaluate our current program ...
On Feb. 16, the indie-rock band Car Seat Headrest released a re-recording of their sixth LP, “Twin Fantasy.” The band originally unleashed the introspective concept album on the world in 2011, when the outfitwas still just the solo-recording project of suburban sad boy Will Toledo. It’s hard to ...
Plenty of ink had been spilled about “I, Tonya” before it arrived at Thayer Street’s Avon Cinema, where it is currently enjoying a run. Unsurprisingly, my critic’s log line — that “I, Tonya” is a messy biopic buoyed by stellar performances from its leads — reads like a template into ...
The Sandra Feinstein-Gamm Theatre’s performance of Anton Chekhov’s play “Uncle Vanya” failed to do justice to the biting satirical realism for which its author is so well-known. The play will run from Jan. 18 to Feb. 18 and is directed by accomplished Chekhov translator Curt Columbus, the award-winning ...
Brown University Gilbert and Sullivan, a student-led theater group, produced a jazzy, intimate take on the acclaimed Broadway musical “Pippin” that left audiences wide-eyed at the cast’s ability to remain animated throughout the show’s whirlwind of campy choral chaos. The musical, directed by ...
Deceptive simplicity defines most Agatha Christie novels. At first glance, each of her works has the appearance of a classic “whodunit,” all based on a seemingly standard premise: A victim is found murdered; a list of suspects presents itself; a detective is handed the job of solving the case. Yet, ...
Christine “Lady Bird” McPherson loves her mother. But she doesn’t like her mother. The daughter and mother duo, played superbly by Saoirse Ronan and Laurie Metcalf, respectively, are constantly at each other’s throats, always bickering and nagging and pushing their relationship toward a fatal ...
“Melancholy Play: A Contemporary Farce,” Production Workshop’s new play, is anything but what its name implies. With humorous one-liners, unique twists and a surprising number of references to almonds, the play is hilariously loud and fun. Directed by Shade Au ’19, “Melancholy Play” was ...
“American Made” has a story to tell. It’s quite a story — so long as you don’t ask too many questions and you’re game to laugh your way through its gamboling plot. The film stars Tom Cruise as Barry Seal, a Trans World Airlines pilot who becomes embroiled in the early stage drug war politics ...
“Blade Runner 2049” is, first and foremost, a cash grab. That does not mean that it’s a bad movie — it simply means that the film’s raison d’etre is something to overcome as opposed to something to live up to. And “Blade Runner 2049” tries very hard to overcome, with a visual style and ...
Kogonada’s directorial debut in the 2017 film “Columbus” serves as the pioneer of a new genre of beautifully-made, self-aware and quiet films in that it slows down the plot and switches out traditional narrative tropes in favor of meticulous character development and thoughtful dialogues about ...
The Killers released “Wonderful Wonderful” Friday. The 43-minute album is their first in five years. The songs on the album cling to the nostalgic ’80s stadium rock sound The Killers have continued to maintain years past its prime. This time, Brandon Flowers takes his band’s leather jacket glam ...
Five saucy, self-described “widows” are living in an idyllic, patriarchal 1950s suburban world, and boy are they “dealing with it.” By virtue of invitation to the annual quiche breakfast of the Susan B. Anthony Society for the Sisters of Gertrude Stein, audience members in the Production Workshop ...
Solutions by The State News
