The mansion comes to life as if animated by, well, magic. Doors open, walls shift, furniture enters and exits. A girl smirks as she snatches a glowing green bag off a table covered in books and vials of varying sizes. A door is opened and a mysterious woman sits there serenely before being locked up ...
Be warned: "Kaspar" is not a play about fun.
Correction appended.
Trinity Repertory Company's 34th production of "A Christmas Carol," directed by Michael Perlman '05 MFA '10, proves to be a unique play of breathtaking artistic accomplishment.
"S(t)imulation," an art exhibit now at the Hillel Gallery, forces viewers to search for a thread connecting a collage mural depicting exhibitionistic Facebook usage, a Venice nightscape and an abstract acrylic rock-candy composition of methamphetamine.
Art can bring to life what was never meant to breathe. Streetlamps, speakers and projectors assume the roles of the undead and the never-born in AS220 artist-in-residence Lyn Goeringer's "Liminal/subLIMINAL."
"Why are humans attracted to all things shiny? It evokes the warmth of sunlight," said Pook Panyarachun '10 about the appeal of using bright saffron colors in her sculptures.
The Brown University Wind Symphony performed pieces by popular wind band composer Gustav Holst under the direction of Matthew McGarrell, director of bands and senior lecturer in music, for a sizable crowd in Salomon 101 Friday night.
What do hip-hop dance, break-dancing, acoustic guitar, Chinese pop music and spoken word have in common? They all gathered in List 120 Friday night for China Care Brown's Fall Care Concert.
In the intimate space of the darkened Ashamu Dance Studio, the only sound to be heard was the patter of bare feet on the stage. A packed audience waited excitedly for the lights to come up and the first steps to be taken at this year's Fall Dance Concert, sponsored by the Department of Theatre Arts ...
Brown's more adventurous filmmakers won't get much opportunity for rest this weekend.
"I'm modesty personified!" quips Sir Ruthven Murgatroyd (Phil Arevalo '11 ) in the Brown University Gilbert and Sullivan production of "Ruddigore, or The Witch's Curse" opening Friday night in Alumnae Hall. "Ruddigore" features great singing and a strong orchestra — accompanied by the soundtrack ...
From shrews to gentlemen, tyrants to jesters, all of Shakespeare's favorite characters — and a few new additions — make an appearance in Shakespeare on the Green's indoor production, "The Rude Mechanicals," which opens tonight at the Underground. Featuring eight Shakespeare-inspired scenes, ...
The 2012 Coordinating Class Board held a Save the Children benefit concert Friday, bringing together talent from on and off campus.
Using everything from piano and violin to computer sound effects and the audience itself, Brown New Music put on a sacred music concert Friday in Grant Recital Hall to an audience of about 50.
Kurt Ralske integrates aesthetic direction, artistic curiosity, technological prowess and cunning instrumentality in his digital art — a synthesis to strive for — and the results are captivating. Ralske, who has had a video piece permanently on display in the lobby of New York's Museum of Modern ...
The Brown University/Trinity Rep MFA Program's production of "A Midsummer Night's Dream" is "about leaving the safety of what you know, to go into the chaos and the darkness of the unknown to discover who you are and what you want to get out of life," said director Shana Gozanksy GS, a student in the ...
The Rhode Island School of Design Illustration Department co-hosted a screening of "Library of the Early Mind," a new documentary about the world of children's literature, Wednesday night. The screening was the sixth in a series of 50 screenings across the country before the film is made more widely ...
David Sedaris wants to hear your jokes — the raunchier the better. "Don't be afraid of a filthy joke," he told his audience at the Brown Bookstore Wednesday night. "It can't be too dirty for me."
Frequenters of the Sarah Doyle Women's Center Gallery will find themselves caved in by "Landslide," an exhibit of two- and three-dimensional images of glamorous guts by Hope Hardesty '08. Conveying vulnerability, slippage and escape, "Landslide" exposes something not conventionally for display: the ...
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