On an April Tuesday last year, Jaime Rosenstein ’10 MFA’13 received a call that she had landed the role of Nessarose in the national tour of the hit Broadway musical “Wicked.” Two days later, her bags were packed and she was headed to Dallas. The trajectory of Rosenstein’s final months as ...
John Banville, the author of 16 novels and recipient of many literary accolades — including the 2005 Man Booker Prize for “The Sea” — arrived on campus Wednesday evening on a delayed Amtrak. Despite the inhumane weather conditions, he managed to deliver a reading from “The Blue Guitar,” ...
It’s hard to believe that the same Brown Dining Services that serves bland, exhausted green beans and burnt, greasy grilled cheese sandwiches will now offer made-to-order, zesty vegetable stir-fry and crispy, gourmet pizzas hot out of a stone hearth. If there is one word to describe Andrews Commons ...
Brown Motion Pictures, formerly Brown Student Television, will host its biannual film launch premiere tonight in Salomon 101. The premiere will feature five films written, directed, produced and performed by undergraduates. The group, which adopted its new name to more accurately reflect its current ...
Theater and playwriting can foster dialogue and construct “a bridge of communication” between disconnected communities, argued William S Yellow Robe, professor of English at the University of Maine and a member of the Assiniboine Tribe of the Fort Peck Reservation, in a lecture Thursday night. In ...
Loss of innocence has been explored by writers from John Milton to Kurt Vonnegut, who famously wrote, “Everything was beautiful and nothing hurt. So it goes.” But innocence need not be gone forever — at least, according to “The Snow Queen,” a folk musical adaptation of Hans Christian Andersen’s ...
The abstract expressionist painter Mark Rothko would seem an unexpected interlocutor in the court politics of Elizabethan England. Not so in Sock and Buskin’s production of “Mary Stuart” — an enormous reproduction of his work in red, black and gold hangs above the stage. The allusion to post-war ...
Responding to a need for an “adaptable outlet” for nonfiction work on campus, Marc Briz ’14 launched the online journal Recess last semester. Inspired by his sophomore year experience in ENGL 0180: “Introduction to Creative Nonfiction,” Briz said he hopes to provide a platform for digital ...
Onstage, pity can be tedious. Self-pity — even more ghastly. Nostalgia, discontent and regret are all feverishly personal — and for an audience there is often a disconnect. Amid generational collisions and a disarmingly heartwarming emotional release, Trinity Repertory Company’s “Vanya and Sonia ...
By the time Ananya Bhatia-Lin ’16 reaches age 30, she hopes to be married with children. Getting hitched, she figures, is a means to creating a stable, environment for starting a family, and doing so at a younger age will make her an active, energetic mother, she said. And then there’s a simple ...
Human perceptions of the world are dramatically changing, Gareth Cook ’91 argued in a lecture Wednesday night. The cause, he posited, is a blend of text and images with origins tracing back over 10,000 years: the infographic. Cook’s talk, “Infographics: The Origins and Future of Visual Thinking,” ...
Gregory Crewdson, a photographer whose work has been widely exhibited in top art museums, presented some of his artistic creations in a talk Wednesday. Crewdson spoke to a sold-out Martinos Auditorium in the Perry and Marty Granoff Center for the Creative Arts as part of an ongoing lecture series by ...
Opera may seem like a genre of the past, but Gilbert and Sullivan’s “Iolanthe, or, The Peer and the Peri” transcends the bygone era from which it came. Directed by Meghan Kelleher ’12 and presented by Brown University Gilbert and Sullivan, the opera will enchant a modern audience with its comic ...
‘The Range’ — an electronic one-man act by James Hinton ’10 — is aptly named. He incorporates a diverse collection of eclectic styles, yielding surprising combinations. Since the Oct. 14 release of his first full-length album “Nonfiction,” Hinton has been showered with critical acclaim. ...
Sam Pearce’s ’14 new album, “Don’t Forget Me,” opens with a single voice reading a poem — no guitar riff or rhythmic drums or even synth chords. It’s a fitting way to begin the record, which he released under the name Nemo — a name Pearce said represents the “blizzard, captain, clownfish.” ...
An unassuming visitor to the Rhode Island School of Design Museum who passes through the dark, silent corridor on the first floor might be capitvated by a larger-than-life screen test of Edie Sedgwick, a famous socialite and fashion model of the 1960s. “Andy Warhol’s Screen Tests,” a series ...
On a quiet Friday afternoon, the Avon Theater often bustles with middle-aged local intellectuals. The thick smell of warm buttered popcorn hangs in the air, while old-time swing music plays softly. “Welcome to the world’s most uncomfortable seats in the most beautiful theater,” one elderly patron ...
In bold white letters, the word “Try” loomed over the dimly lit Martinos Auditorium in the Perry and Marty Granoff Center for the Creative Arts, welcoming the Brown and Rhode Island School of Design students who piled into the room to hear graphic designer Chip Kidd speak Thursday afternoon. The ...
Video by Kavia Khosla and Maggie Livingstone. At this weekend’s annual student-choreographed Fall Dance Concert, attendees can expect lots of diversity and energy in all the pieces. The show covers a vast range of styles, including tap, ballet, aerial, modern and traditional Indian dance. Performances ...
Making a good movie about slavery is no easy task. Achieving historical accuracy demands a disturbing portrayal of brutality and injustice. Contemporary audiences seek entertainment and inspiration. “12 Years a Slave” skillfully walks this line, combining a stirring personal narrative with realistic ...
Solutions by The State News
