Directed by Bill Condon, the film is based on the eponymous Broadway musical and novel by Manuel Puig.
The video was clearly intended to create viral, shallow moments.
The plays are written, cast, directed and performed all within a single 24-hour period.
Taylor Swift’s highly anticipated 12th studio album misses the mark in more ways than one.
The film explores an unlikely friendship forged through loss and lies.
Netflix’s “The Thursday Murder Club” is well worth the watch.
The artist’s fifth studio album could be her most successful if she plays her cards right.
The film was screened for the African Film and Art Festival this weekend.
The production will be showing at PPAC from Sept. 19 to Oct. 4.
The Favors’s debut album is full of catchy melodies but often feels repetitive.
Bieber’s 2025 albums, released in July and September, lack depth and originality.
Viewers, rejoice. The ending everyone has been waiting for has finally arrived — and in great fashion.
Rock band HAIM’s fourth studio album, “I quit,” is an overlooked but powerful contribution to the 2025 summer music scene.
While the adaptation preserves nostalgia by staying close to the original, the changes that were made detract from Hiccup’s character arc.
The band’s sixth studio album expands on their genre-building tendencies with freshness and maturity.
Herald writers reviewed a day of performances by Zack Fox, Ravyn Lenae, JT and Offset.
“RUSHMERE” is a mediocre folk release by Mumford & Sons with little nuance to celebrate.
Steven Soderbergh’s newest film is entertaining, but lacks build in terms of both plot and suspense.
The advance screening was shown as a part of the 24th annual Ivy Film Festival.
The documentary depicts the aftermath of the forced displacement of Palestinians in the West Bank.
Solutions by The State News
