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Alyssia Ouhocine

Senior Staff Writer

Alyssia Ouhocine is a Senior Staff Writer covering Arts & Culture. Hailing from Bayonne, New Jersey, she is concentrating in English and History with a particular interest in Algerian history and literature. When she’s not writing, she can be found listening to music and sending Google Calendar invites.

A group of three women and a man with concerned expressions on their faces listen to the phone call attentively, the woman on the left recording the conversation.

Review

‘The Voice of Hind Rajab’ painfully recreates the young girl’s final hours

By Alyssia Ouhocine | March 18

The film uses the real recordings of Rajab’s call with emergency responders.

The cover art for ‘White Feather Hawk Tail Deer Hunter,’ showing a black-and-white illustration of a young girl sleeping with a big black dog.

Review

Lana Del Rey’s latest track ‘White Feather Hawk Tail Deer Hunter’ is positively strange

By Alyssia Ouhocine | February 27

Lana Del Rey’s newest single lingers where domesticity and sensuality converge.

Review

Charli xcx’s ‘Wuthering Heights’ album is a masterclass in production

By Alyssia Ouhocine | February 18

The companion album to Emerald Fennell’s ‘Wuthering Heights’ adaptation is sensual and atmospheric.

Photo of a person with long hair in a robe shining a lamp on a beach in gloomy weather.

Review

Sadness never lasts forever on Searows’s ‘Death in the Business of Whaling’

By Alyssia Ouhocine | February 13

Searows turns pain into the poetic on the fantastical “Death in the Business of Whaling.”

Photo of four men in the back of a truck wearing police bulletproof vests.

Review

‘The Rip’ offers a star-studded but sloppy addition to the action genre

By Alyssia Ouhocine | January 29

Ben Affleck and Matt Damon’s newest undertaking features a talented cast and complex plot.

Two people stare into distance.

Review

‘People We Meet on Vacation’ offers an escape for rom-com fanatics

By Alyssia Ouhocine | January 21

The Netflix film offers stunning travel visuals and simmering romantic tension.

Review

Deluxe tracks dazzle on expanded versions of Alessi Rose’s ‘Voyeur,’ Tate McRae’s ‘So Close to What’

By Alyssia Ouhocine | November 30

In these deluxe releases, the pop artists close out their career-defining eras in style.

Photo of a woman in a black-and-white polka-dot dress holding a paper bag of groceries and kneeling down to pick up spilled items.

Review

Lily Allen’s ‘West End Girl’ is an unforgiving, emotional car wreck

By Alyssia Ouhocine | November 23

Listeners become voyeurs to Allen’s moving narration detailing the demise of her marriage.

Photo of a woman looking over the railing of a boat with a man peering over her from the floor above.

Review

‘The Woman in Cabin 10’ takes mindless viewing to the next level

By Alyssia Ouhocine | October 30

Viewers should set low expectations for this unoriginal take on a murder mystery.

A woman wearing a black and red striped long sleeved shirt and white socks. She is sitting on a bed covered by a white bed sheet and to her right lays an inflatable of a body lying down.

Arts & Culture

Lola Young’s ‘I’m Only F**king Myself’ fuses incendiary production with exhilarating vulnerability

By Alyssia Ouhocine | October 22

The British singer-songwriter’s third studio album is an honest and revelatory body of work.

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