Review
You might not regret watching ‘Regretting You’
By Timothy Ro | October 29The film is an adaptation of the eponymous novel written by Colleen Hoover.
Review
Review
Tony award-winning musical ‘SIX’ is a riveting tale of King Henry VIII’s wives
By Ann Gray Golpira | October 27The Providence Performing Arts Center hosted the show over the past week.
Review
Netflix’s ‘Famous Last Words’ hits the mark with Jane Goodall interview
By Rachel Wicker | October 23The show centers intimate interviews with prominent figures, aired only after their deaths.
Review
‘The Mastermind’ is a prescient, unconventional look at art theft
By Ayana Ahuja | October 23The last few days have seen a flurry of news about the recent jewelry heist at the Louvre Museum in Paris. Ironically, the $100 million theft coincides with the world premiere of Kelly Reichardt’s latest film, “The Mastermind.” The film was inspired by the 1972 heist at the Worcester Art Museum ...
Review
In ‘From the Pyre,’ The Last Dinner Party weaves the modern myth we need
By Nora Rowe | October 20The danceable rock album grapples with love, loss and femininity.
Review
‘Him’ disappoints but receives more backlash than warranted
By Amelia Barter | October 19Produced by Jordan Peele, the film may be a disappointment to viewers expecting another “Get Out.”
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‘Kiss of the Spider Woman’ falls flat compared to its source materials
By Tumelo Johnson | October 16Directed by Bill Condon, the film is based on the eponymous Broadway musical and novel by Manuel Puig.
Review
Taylor Swift’s “The Fate of Ophelia” music video isn’t deep enough to fill a bathtub
By Nora Rowe | October 14The video was clearly intended to create viral, shallow moments.
Review
Vestal virgins, a garage goddess, Plato: Something on the Green’s 24-hour plays are as funny as ever
By Talia LeVine | October 6The plays are written, cast, directed and performed all within a single 24-hour period.
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‘The Life of a Showgirl’ has nothing to show
By Alyssia Ouhocine | October 5Taylor Swift’s highly anticipated 12th studio album misses the mark in more ways than one.
Review
‘Eleanor the Great’ is good, but not great, at exploring grief
By Alice Xie | September 29The film explores an unlikely friendship forged through loss and lies.
Review
‘The Thursday Murder Club’ offers new perspective on aging
By Talia LeVine | September 29Netflix’s “The Thursday Murder Club” is well worth the watch.
Review
Doja Cat’s ‘Vie’ is a stranger to her previous style
By Manav Musunuru | September 28The artist’s fifth studio album could be her most successful if she plays her cards right.
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Natasha Craveiro’s ‘Pirinha’ is a love letter to familial care and Cape Verdean folklore
By Nora Rowe | September 25The film was screened for the African Film and Art Festival this weekend.
Review
Providence Performing Arts Center’s ‘Harry Potter and the Cursed Child’ stuns with magic, stage effects
By Alice Xie | September 25The production will be showing at PPAC from Sept. 19 to Oct. 4.
Review
FINNEAS and Ashe collaborate on ‘The Dream,’ a beautiful modernization of retro aesthetics
By Talia LeVine | September 22The Favors’s debut album is full of catchy melodies but often feels repetitive.
Review
Justin Bieber’s ‘SWAG,’ ‘SWAG II’ are little more than glorified background music
By Ann Gray Golpira | September 17Bieber’s 2025 albums, released in July and September, lack depth and originality.
Review
‘The Summer I Turned Pretty’ finale is the ending everyone has been waiting for
By Talia LeVine | September 17Viewers, rejoice. The ending everyone has been waiting for has finally arrived — and in great fashion.
Review
HAIM’s ‘I quit’ tells it like it is
By Nora Rowe | September 17Rock band HAIM’s fourth studio album, “I quit,” is an overlooked but powerful contribution to the 2025 summer music scene.
Review
Live-action ‘How to Train Your Dragon’ fails to even replicate the original
By Alice Xie | September 16While the adaptation preserves nostalgia by staying close to the original, the changes that were made detract from Hiccup’s character arc.
