Viewers, rejoice. The ending everyone has been waiting for has finally arrived — and in great fashion.
Rock band HAIM’s fourth studio album, “I quit,” is an overlooked but powerful contribution to the 2025 summer music scene.
The Cohen Gallery at the Granoff Center now has a new exhibition titled “the sun has its own drum.”
While the adaptation preserves nostalgia by staying close to the original, the changes that were made detract from Hiccup’s character arc.
King Princess’s newest album offers listeners an unfiltered perspective of the drama of queer dating.
The film raises important questions about modern dating, but suffers from a lack of complexity.
“Man’s Best Friend” is a fun and horny take on dating that is distinctly Sabrina Carpenter.
The band’s sixth studio album expands on their genre-building tendencies with freshness and maturity.
The singer’s fourth studio album offers 12 ballads of heartbreak, longing and nostalgia.
Her new book, “Eve’s Blessing,” was inspired by a reinterpretation of a classical biblical passage.
The film is unparalleled in its storytelling, with striking originality in both content and craft.
The artist’s debut album addresses her capricious self-image through a spunky pop lens.
Released in July, the EP explores 21st-century dating with a healthy dose of rage and humility.
The Netflix film, “KPop Demon Hunters,” has quickly become a sensation, dominating the charts and pop culture worldwide.
Malle will succeed Anna Wintour as head of editorial content for American Vogue, effectively immediately.
“Virgin” is a worthy contribution to Lorde’s discography.
The Herald interviewed all nine cast members and the director.
The band was originally formed in 2005 with a simple goal: to make music without electricity.
Herald writers reviewed a day of performances by Zack Fox, Ravyn Lenae, JT and Offset.
“RUSHMERE” is a mediocre folk release by Mumford & Sons with little nuance to celebrate.
Solutions by The State News
