The exhibit is the latest installment of the CSREA’s “Imagining Social Justice Art Exhibit” series.
Taylor Swift’s highly anticipated 12th studio album misses the mark in more ways than one.
Daiela Simon-Seay ’26 underscored the University’s impact on her musical trajectory.
Vulnerable, poetic and sonically heart-wrenching, two musicians’ bittersweet folktale doubles as an homage to music itself.
The Rhode Island business owner discussed the book at the Brown Bookstore on Monday.
The film explores an unlikely friendship forged through loss and lies.
Netflix’s “The Thursday Murder Club” is well worth the watch.
The artist’s fifth studio album could be her most successful if she plays her cards right.
The film was screened for the African Film and Art Festival this weekend.
The production will be showing at PPAC from Sept. 19 to Oct. 4.
The film, executive produced by Michael Costigan ’90, was re-released in select theaters nationwide.
The Trash Camp Super Queer What Even Are Human Bodies Vaguely Dancerly Sci-Fi Film Festival will open Oct. 1.
The exhibition, created by artist Eric-Paul Riege, is on display until Dec. 7.
The expanded album seamlessly blends romantic love with love for country and identity.
The Favors’s debut album is full of catchy melodies but often feels repetitive.
Addison Rae’s “Addison” boldly explores her rise to fame and all the drama that accompanies it.
Bieber’s 2025 albums, released in July and September, lack depth and originality.
Viewers, rejoice. The ending everyone has been waiting for has finally arrived — and in great fashion.
Rock band HAIM’s fourth studio album, “I quit,” is an overlooked but powerful contribution to the 2025 summer music scene.
The Cohen Gallery at the Granoff Center now has a new exhibition titled “the sun has its own drum.”
Solutions by The State News
