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Arts & Culture

The poster for "Regretting You." McKenna Grace and Mason Thames smiling at each other while in a close embrace.

Review

You might not regret watching ‘Regretting You’

By Timothy Ro | October 29

The film is an adaptation of the eponymous novel written by Colleen Hoover.

A blonde-haired woman in a gold dress stands next to a seated man in a blue suit in a room adorned with dark wood.

Arts & Culture

Lorenz Hart’s downfall is palpable in ‘Blue Moon’ despite faltering plot

By Rebecca Goodman | October 29

“Blue Moon,” Richard Linklater and Ethan Hawke’s ninth film collaboration, falls flat.

Illustration of PinkPantheress inspired by the album cover for "Fancy Some More?" showing a woman with bangs (PinkPantheress) staring at the viewer with a splotches of black and red on a white square behind her, with a dark-blue stripe to the right.

Arts & Culture

‘Fancy Some More?’ artfully reengineers PinkPantheress’s discography

By Kendra Eastep | October 29

Featuring more than 20 artists, PinkPantheress’s new remix album pushes the bounds of her previous music.

(2)_The_North_American_Tour_Boleyn_Company_of_SIX._Photo_by_Joan_Marcus_(0694r3).jpeg

Review

Tony award-winning musical ‘SIX’ is a riveting tale of King Henry VIII’s wives

By Ann Gray Golpira | October 27

The Providence Performing Arts Center hosted the show over the past week.

Attendees sitting around tables at the Black Arts Expo

Arts & Culture

Black Arts Expo highlights numerous forms of creative achievement by Black students

By Sonia Chu | October 26

Hosted by the Black Star Journal, the event hopes to connect community with Black art.

Black and white image of Jane Goodall with a stuffed toy monkey

Review

Netflix’s ‘Famous Last Words’ hits the mark with Jane Goodall interview

By Rachel Wicker | October 23

The show centers intimate interviews with prominent figures, aired only after their deaths.

Josh O'Connor mid-bow on stage with Kelly Reichardt behind him. Both are wearing suits and holding mics.

Review

‘The Mastermind’ is a prescient, unconventional look at art theft

By Ayana Ahuja | October 23

The last few days have seen a flurry of news about the recent jewelry heist at the Louvre Museum in Paris. Ironically, the $100 million theft coincides with the world premiere of Kelly Reichardt’s latest film, “The Mastermind.” The film was inspired by the 1972 heist at the Worcester Art Museum ...

A woman wearing a black and red striped long sleeved shirt and white socks. She is sitting on a bed covered by a white bed sheet and to her right lays an inflatable of a body lying down.

Arts & Culture

Lola Young’s ‘I’m Only F**king Myself’ fuses incendiary production with exhilarating vulnerability

By Alyssia Ouhocine | October 22

The British singer-songwriter’s third studio album is an honest and revelatory body of work.

A photographic work with sliced pieces from multiple different photographs of women's faces, on a white gallery wall.

Arts & Culture

Azadeh Ghotbi ’91 looks to spark dialogue with new exhibit at Watson School

By Nora Rowe | October 21

The exhibition will be on display in the Stephen Robert ’62 Hall until Dec. 15.

Album cover for ‘From the Pyre’ by The Last Dinner Party, which shows a series of figrures and scenes placed disparately around a grassy hill. The central figure, a woman in a blue dress, holds a lamb. At the top of the hill, several figures dressed in red move around a burning pyre.

Review

In ‘From the Pyre,’ The Last Dinner Party weaves the modern myth we need

By Nora Rowe | October 20

The danceable rock album grapples with love, loss and femininity.

Ken Burns speaks into a microphone facing the audience onstage

Arts & Culture

Filmmaker Ken Burns screens, discusses upcoming docuseries at Family Weekend event

By Ann Gray Golpira | October 19

The event was hosted in partnership with the Brown 2026 initiative.

University News

Gwyneth Paltrow P’28 hints at new Marvel movie appearance in Family Weekend keynote

By Alice Xie | October 19

The actress and CEO also discussed reinvention and learning — themes she said have guided her career.

Tyriq Withers playing the role of Cam in the movie "HIM"

Review

‘Him’ disappoints but receives more backlash than warranted

By Amelia Barter | October 19

Produced by Jordan Peele, the film may be a disappointment to viewers expecting another “Get Out.”

Illustration of various teens posting and engaging with social media content.

Arts & Culture

From the classroom to content creation: Brown’s social media stars

By Summer Shi | October 17

The Herald spoke with five students making waves on social media.

Photo of a woman dressed in a black dress standing in front of a spiderweb with moonlight illuminating the sky in the background.

Review

‘Kiss of the Spider Woman’ falls flat compared to its source materials

By Tumelo Johnson | October 16

Directed by Bill Condon, the film is based on the eponymous Broadway musical and novel by Manuel Puig.

The_devil_wears_prada_logo_en_la_rodacion_de_la_película.jpg

Arts & Culture

‘The Devil Wears Prada’ musical soundtrack falls short

By Ann Gray Golpira | October 15

The new soundtrack for the musical “The Devil Wears Prada” offers listeners few standout songs among an otherwise unoriginal score.

A guitarist playing in the background and a guitarist wearing a black cap playing in the front. Setting is very dark with navy hues.

Arts & Culture

Black Music Lab allows musicians, community members to explore artistry

By Raghav Ramgopal | October 15

Led by Enongo Lumumba-Kasongo, the Black Music Lab hosts experimental concerts for the public.

Painting of Ophelia from the story Hamlet.

Review

Taylor Swift’s “The Fate of Ophelia” music video isn’t deep enough to fill a bathtub

By Nora Rowe | October 14

The video was clearly intended to create viral, shallow moments.

Untitled design - 1

Arts & Culture

Changing seasons bring a storm of compelling new singles

By Alyssia Ouhocine | October 14

The music world recently came alive with singles from Maisie Peters, HAIM and Bon Iver, Tate McRae and Alessia Rose.

Photo of the Perry and Marty Granoff Center for the Creative Arts

Arts & Culture

In today’s digital age, ‘Black Swan’ hits even harder

By Sanai Rashid | October 14

The 2010 film was screened on Thursday at the Granoff Center as part of a film festival hosted by the Brown Arts Institute.

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